How do you mic a double bass?
Microphone positioning The spot under the bridge, between the strings and the deck, is a good position to mount a microphone. This position represents most of the elements of the bass sound we want to capture – low end as well as ‘bite’ when the strings are plucked or bowed.
Can Shure SM57 be used for vocals?
The SM57 Can Be Used on Studio Vocals. You can definitely record excellent-sounding vocals with an SM57 if you know what you’re doing. In some cases, an SM57 might even give you better results than a LDC microphone costing 20x more.
What’s the difference between a cello and an upright bass?
Although the cello and double bass are the largest instruments in the string family, there is a substantial difference in their size. The double bass measures in at about 6 feet long and is the largest instrument in the string family, while the cello is slightly smaller in nature.
Which is better Shure SM57 or SM58?
The 57 and 58 microphones are actually based on the same cartridge design. The main difference is in the grille. The distance from the top of the grille to the diaphragm is shorter on the SM57 compared to that of the SM58, which allows for a more pronounced proximity effect through closer mic positioning.
What mic did Michael Jackson use?
Here’s what Bruce had to say about it in his track-by-track memoir, In the Studio with Michael Jackson: “One of my absolute favorite microphones is the Shure SM7. I recorded most of the big hit records of Michael’s career with him in front of one of my SM7s.
Why is SM57 so good?
It Has Excellent Off-axis Rejection Thanks to its tight cardioid polar pattern, the SM57 is ideal for all kinds of common situations. For example, it’s my first choice for miking a snare drum in the studio. If you position it right, it offers really good rejection of the hi-hat sound — even with a hard-hitting drummer.
How do you mic a grand piano?
There is no single correct way to mic up a piano. You can use a variety of techniques to capture your instrument’s wide range of tones. Probably the most popular microphone technique for grand piano involves positioning a pair of small-diaphragm omnidirectional mics directly over the strings, just past the hammers.